WEBSERIES
CHOIR BOYZ (2017) [channel 101, 5 episodes]
A pair of troubled school boys navigate the chaos of love & friendship in the ‘80s.
written, directed, produced, edited by Ariel Gardner
starring Bobby McCoy, Peter DeRiemer
Every filmmaker has their coming of age story, this was my idea of one.
Fairly obviously inspired by Harmony Korine, this was sort of my breakout effort as I was searching for a creative voice of my own.
I had originally written this concept as something called Skate Trash in like 2012. It was about two close friends who become separated when one of them gets a girlfriend. I was going to try to make it with myself and another actor, but the other actor dropped out so I abandoned the idea.
Five years later, I was hanging out with Bobby and Peter, and Peter off-handedly said “look at us, a couple of choir boys.” I immediately took the title and told them I would go home and write it.
I found the old outline for Skate Trash and removed the stuff about skating and replaced it with Christianity. At the time I was really into music from the early 80’s and decided I’d make something that felt like the visual counterpart of a Cocteau Twins. It led me to the impulse to tell the darker side of a sex, drugs, and rock and roll story. The sobering aftermath moments of living a “burning the candle at both ends” lifestyle.
From there I just decided to throw my penchant for logical storytelling out the window and to just follow all my most extreme gut instincts. I pulled from all of my deepest, most primal feelings and translated them into these diary-entry level stories about the inappropriate relationships of misguided kids.
Robby Massey shot it each episode on a giant old 70’s analog camera. Robby was an absolutely essential collaborator and significant influence on me.
I edited each episode with reckless abandon, creating the sense of found footage, but with the intention to disorient the viewer and put them in the headspace of drug-addled teenagers.
From the moment I started writing it until the end of the show was the most creatively liberating experience I’ve ever had. It was such a thrill to make this show and I’m deeply proud of it.
KILL THE BABY (2015) [channel 101, 8 episodes]
A deranged man, driven by the voice in his head, decides to kill his baby.
written, directed, produced by Ariel Gardner & Alex Kavutskiy
edited by Ariel Gardner
starring Dave Geis, Erin McGathy
Okay, Kill The Baby. Wow. This is the work that put us on the map and took us to the next level.
Okay so, this one… A new year was beginning, we were looking for a fresh start following the run of our parody cop show Fishbowls Are Definitely My Thing and we were looking for an original creative idea.
I remember walking along the beach in Santa Monica where I was housesitting at the time, and we were just throwing out ideas. We were at Coffee Bean when Alex threw the words “Kill The Baby” at me. I didn’t know what to make of it at first, I probably dismissed it, but we started talking about it and exploring what it could look like, how to make that work.
It was clear it would be about a man trying to kill his baby, and we wouldn’t focus so much on why. We would just start there and go. I knew I wanted it to feel like the climactic sequence of Goodfellas from beginning to end. I knew I wanted it to be hyper stylized and black & white.
We were following whatever felt right on a visceral level. The more visceral, the more engaging, the funnier it would be. It started out as a Tom and Jerry comedy. Over the course of the show, we realized the fun & games would have to end and we’d have to deliver on the promise of our title. The closer it got to the end, it got darker, it got scarier. The finale was incredibly surreal, incredibly bleak.
In retrospect, I’m not sure how anyone is supposed to feel when they get to the end of this thing. Maybe a little dirty, a little exhausted. All I know is that it was the only place it could go. If you start something with an insane promise, and ride the coattails of the insanity of that promise, then you have to deliver on that promise.
It was the only thing I’ve made that you could describe as horror, but it was fun as hell. It was the first time working from a place of a completely surreal landscape, a really fun place to be creatively.
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